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TOMIHIRO MUSEUM
CLIENT Azuma village
LOCATION Gunma, Japan
ARCHITECTURAL CONSULTANTS aat+makoto yokomizo architects Inc
PRINCIPAL ARCHITECT Makoto Yokomizo
INTERIOR DESIGNERS aat+makoto yokomizo architects Inc
PROJECT MANAGER aat+makoto yokomizo architects Inc
STRUCTURAL DESIGN Mitsuhiro Kanada, Arup Japan
MECHANICAL DESIGN Eiji Sato, E S Associates
ELECTRO-MECHANICAL DESIGN Naoto Hattori, Arup Japan
FIRE FIGHTING Hideo Nakajima, Akeno Fire Research Institute
LIGHTING DESIGN Shoji Hiroyasu, Light Design Inc
MAIN CONTRACTORS Kajima Corporation

TOTAL SITE AREA 18,114.0 sq. metres
TOTAL BUILT-UP AREA 2,463.5 sq. metres
BUDGET US$11 million 
STATUS Complete, March 2005

 

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SIMULTANIOUS DIVERSITY

Located in a mountain village beside a man-made lake two and a half hours drive north of Tokyo is the Tomihiro Museum, dedicated to the works of local poet and illustrator Tomihiro Hoshino who used to teach physical education at the local middle school until an unfortunate spinal injury sustained while coaching extracurricular gymnastics activities left him paralysed from the neck down. During extensive rehabilitation that followed, Hoshino taught himself to paint again by holding the pen and brush in his mouth. His first paintings were inspired by the well-wishing bouquets left in his hospital room and wildflowers growing just outside. The limpid naturalistic watercolours with poems written in simple unaffected language were a celebration of the joy of being alive.

Competition
Since 1991, when the Museum first opened on the refurbished premises of a disused home for the elderly, an average of more than 1,000 persons a day have made the trip here, for a ten-year total of over four million visitors – a surprising number considering the remote location! Moreover, the staggering number of visitors to the Museum is a testament to the popularity of Hoshino's art and its profound heartfelt appeal.
A decade on, the Museum was long overdue for a new home and an international design competition was launched in 2002. A surprising total of 1,211 entries were received from 53 countries, out of which 637 entries were from Japan and 574 from abroad! Short-listed entrants from among the many submissions were then interviewed and the winning design proposal was selected: a grouping of small circular rooms inspired by soap bubbles.

Diversity
The winning entry called for the theory of ‘simultaneous diversity’ as against the logic of most contemporary art museums that typically opt for neutral, homogeneous ‘white-cube’ spaces. Day in and day out, it is easy to overlook something so basic, yet the artworks are a clear reminder that all things are interdependent upon one another and in order to understand complexity a new method had to be devised to appreciate complex things as they are. Thus, the design proposal needed to focus on relativity more than absolutes, particulars instead of generalities and decentralisation over centrality. 
 
Self-Optimisation
Step inside this cluster of qualitatively diverse spaces: light, dark, quiet, lively, warm, the building interiors enfold the visitor with many different experiences similar to a walk in the woods, inviting a childlike sense of wonder and expectation as to what we might encounter next.  Each circle has its own distinct size and functional environment according to how it is to be used. Moreover, attempts are consciously made to incorporate hypothetical ‘open-ness’, ‘closed-ness’ and ‘cosy-ness’. The circles are laid out with an eye to their mutual interplay, almost as if trying to solve a puzzle. There was no one guiding principle and no one absolute solution. This compositional complementarity is an important characteristic of the Tomihiro Museum, or what can be referred to as a ‘self-optimised design’. READ COMPLETE ARTICLE

Text & Images:Makoto Yokomizo, aat+makoto yokomizo architects Inc.
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